Rashômon

"The husband, the wife… or the bandit?"

Dec 26 1951 Not Rated 1h 28m
Crime, Drama, Mystery

Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.

Plot

A priest, a woodcutter and another man are taking refuge from a rainstorm in the shell of a former gatehouse called Rashômon. The priest and the woodcutter are recounting the story of a murdered samurai whose body the woodcutter discovered three days earlier in a forest grove. Both were summoned to testify at the murder trial, the priest who ran into the samurai and his wife traveling through the forest just before the murder occurred. Three other people who testified at the trial are supposedly the only direct witnesses: a notorious bandit named Tajômaru, who allegedly murdered the samurai and raped his wife; the white veil cloaked wife of the samurai; and the samurai himself who testifies through the use of a medium. The three tell a similarly structured story - that Tajômaru kidnapped and bound the samurai so that he could rape the wife - but which ultimately contradict each other, the motivations and the actual killing being what differ. The woodcutter reveals at Rashômon that he knows more than he let on at the trial, thus bringing into question his own actions. But another discovery at Rashômon and the resulting actions from the discovery bring back into focus the woodcutter's own humanity or lack thereof.

Written by

Ryûnosuke Akutagawa, Akira Kurosawa, Shinobu Hashimoto

Directed by

Akira Kurosawa

Production Countries

Japan

Production Companies

Daiei Film

Languages

Awards

Nominated for 1 Oscar. 9 wins & 5 nominations total

Scores
# of Votes
187,829
Average Rating
8.2 out of 10
Metascore
98
Popularity
NA